Painting

The Journey of a Girl to Womanhood

I spent hours looking at her works following her tireless strive to spit back the entrapped feelings of those years living under the iron law of veil and its harsh repressive influence on a growing up girl with flying imagination. Maryam’s painting between 2001 & 2006 shows how she throws back on the canvas that was forced down her throat while dipping her brushes in other styles. She is not a depressive painter, she does not simply stomach what is forced on her. The “Family Day Out” is a universal teenage agony with or without veil>>>

Contemporary?

It was eerie and unsettling to go through the rooms featuring the painters. I am still not sure why, but it was. There was exactly one piece by each artist. Another oddity was, barring for the artists already dead in the 60s and 70s, every single piece was dated somewhere between 1963 and 1975. And then complete stalemate! It was as if for this museum, where no one new enters and no one leaves, time had stopped in 1975. The irony was that this was a museum of contemporary arts, the key word being contemporary! >>>