Nader and Simin, A Separation


Nader and Simin, A Separation
by Troneg

The director of About Elly hits hard again with the Nader and Simin, A Separation (//,_A_Separation) , which won three awards at the last Berlin Film Festival.

It is an incredible gear which we did attend the Iranian director Asghar Farhadi // , after a man and a woman decided to separate.

The reason for the break is not trivial: it wants to go abroad, he will not leave his father suffering from Alzheimer's disease.

A dilemma that many Iranians must feel fairly fortunate to go into exile, trapped in a country increasingly repressive.

It's a safe bet that a separation is indeed one of the last jewels of cinema made ​​in Iran whileAbbas Kiarostami or Jafar Panahi no work more freely.

If Farhadi criticism of Iranian society in its judicial system or its bigotry, separation is essentially a universal film.

Its protagonist, Nader, is obliged to hire help at home to care for her father. The latter hides a secret that will lead directly to human trials. Scene after scene, the audience is shoved in his convictions. Between surprise and compassion, it switches through a flawless dramathat makes almost every scene a moment to remember. The screenplay is surprisingly complex, revealing - in the end - a key element of the story. Go ahead!


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