The Iran Show
The New Yorker / Laura Secor

Show trials have been staged before, most notably in Moscow in the nineteen-thirties. Typically, such rituals purge élites and scare the populace. They are the prelude to submission. Iran’s show trials, so far, have failed to accrue this fearsome power. In part, this is because the accused are connected to a mass movement: Iranians whose democratic aspirations have evolved organically within the culture of the Islamic Republic. It is one thing to persuade citizens that a narrow band of apparatchiks are enemies of the state. It is quite another to claim that a political agenda with broad support—for popular sovereignty, human rights, due process, freedom of speech—has been covertly planted by foreigners.

The indictments prepared by the public prosecutor are almost surreally obtuse. Before the election, one indictment claims, Western governments, foundations, and individuals joined forces with corrupt Iranians in an attempt to overthrow the Islamic Republic and institute a regime compliant with American designs. The nefarious plotters engaged in “exposing cases of violations of human rights,” training reporters in “gathering information,” and “presenting full information on the 2009 electoral candidates.” Apparently, the Iranian citizen is meant to consider it self-evident that the country’s national interest depends on concealing human-rights abuses, censoring the news, and obfuscating the electoral process.

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