In 1970, the Shah’s government hires Albert Lamorisse to make a documentary film about Iran using his helicopter filming technology, Helivision Lamorisse shoots a folky, poetic, beautiful film:
//www.iranitabar.com/2010/02/filmmaker-who-perished-in-shahs.html
The ministry rejects it stating it doesn’t adequately portray Iran’s modernizations and industrial and urban developments (it was essentially meant to be a propagandist film)Lamorisse is called back to Iran with a list of specific locations to shoot:
University students, factories, laboratories and the newly constructed Karaj dam Lamorisse expresses fervent concern over high tension wires over the dam The ministry provides him with the Shah’s personal helicopter pilot The helicopter gets caught in the wires and Lamorisse and all aboard die in a crash in the dam.
Lamorisse’s wife receives a sizable compensation package and with her son Pascal (star of the Red Balloon) finishes the film based on Albert’s notes Eight years later, it is released and nominated for an Oscar, though it was barely screened and never circulated Meanwhile, after the crash the Ministry crew retrieved the film from the dam and used the final footage shot by Lamorisse to make an absolutely beautiful 6 minute tribute film:
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That's actually a lot like
by Sargord Pirouz on Tue Feb 09, 2010 02:23 AM PSTThat's actually a lot like the recent case of the National Geographic piece on Syria by Don Belt. The Syrian ambassador was really offended by it for many of the same same kinds of reasons shown by Iran's ministry in 1970.
//joshualandis.com/blog/?p=4305
The real kicker- one of the reasons the Syrian ambassador objected to the article was the attention given to Iranian tourists.