Sogdiana
Iranian culture in Central Asia
By Matteo Compareti
July 24, 2001
The Iranian
Sogdiana is an historical region of Central Asia currently comprised
of Southern Uzbekistan and Western Tajikistan. Her population was Iranian
in culture and language even if many aspects still remain enigmatic.
The existence of such a population has been known for a long time, thanks
mainly to Chinese sources. But in the beginning of the 20th century some
European archaeological missions in Chinese Turkestan (today Xinjiang Uighur
Autonomous Province) recovered documents in Sogdian language.
Other documents were discovered in proper Sogdiana
at the archaeological sites excavated in the Soviet period and inscriptions
appeared along the routes of the so-called Silk Road. Then, scholars realized
that three dialects directly linked to ancient Sogdian were still spoken
along the Yagnobi River, in Tajikistan. Click image
Sogdiana entered history with the conquest of the region by Persian armies
of the Achaemenid Dynasty (559-330 B.C.). The inscription of the Emperor
Darius I (522-486 B.C.) at Bihisutun (dated 6th century B.C.) counts Sogdians
among the subjects of the kingdom. Sogdiana comprised Khorasmia, Parthia
and Aria in the 16th Imperial Satrapy.
After the destruction of the Achaemenids by Alexander the Great (336-323
B.C.), Sogdiana was one of the regions which boldly opposed the Macedonians.
In the end Alexander subjugated the region and married Roxane, daughter
of the local chief Oxyartes. At his death, the Macedonian Empire broke up,
and Sogdiana was briefly incorporated in the GreekBactrian kingdom
soon to become an independent state, constantly submitted to the incursions
of nomadic populations.
As a consequence of an intense period of migrations, Central Asia and
Northern India passed under the control of the enigmatic Kushans (circa
50 B.C.250 A.D.), a dynasty originating from today's Gansu region in
Western China, which adopted the Iranian language of Bactria written with
the Greek alphabet, and which protected Buddhism.
The common opinion among scholars is that Sogdiana
was not conquered by the Kushans but their influence was very strong, especially
in art and coinage. In the period between 250 A.D. and 270 A.D. the Sasanids
of Persia (224-642 A.D.) destroyed the Kushan Empire, occupied Bactria and
rendered Sogdiana tributary. The Sasanids were then defeated by the Hephtalites
(mid. 5th mid. 6th century A.D.), another nomadic population that killed
the Persian Emperor Peroz (459-484) and took Sogdiana. Click
image
But in the period c between 563-568 A.D. an alliance between the Persian
Emperor Khosrow I (531-579) and the Qaghan of the Western Turks Istemi (circa
553-576) completely destroyed the Hephtalite kingdom. The two allies shared
the dominions of the common enemy-- the Sasanids took Bactria and the Turks
gained Sogdiana.
Under the Turkish rule Sogdiana was practically independent. In fact
the Qaghan used the Sogdians as diplomats and their language was a sort
of "lingua franca" along the Silk Road. Byzantine chronicles record
that in 568 A.D. a Turk-Sogdian delegation lead by a certain Maniakh reached
Constantinople in order to obtain permission to trade and, eventually, to
form an anti-Persian alliance.
Sogdian colonies were widespread in the whole of Central
Asia and large Sogdian trade communities lived even in the Chinese capital
Chang'an. Their presence is recorded also in Sri Lanka and along the maritime
trade routes which linked India to Canton (Southern China). In the Museum
of Bangkok, for example, Buddhist reliefs testify the presence of Sogdian
donors bringing gifts to the Buddha. Click image
In Northern Pakistan inscriptions and graffiti were recovered in Sogdian
directing traders to India. In fact in the paintings of Bagh and Ajanta
(in the Indian state of Maharashtra) appear to be Central Asians dressed
in typical caftans, boots and pointed caps. An important colony in Crimea
(Ukraine) was represented by Sugdaia (or Soldaia as she was known by Marco
Polo) whose name betrays her origins.
Under the Tang Dynasty (618-906 A.D.) the Chinese defeated the Western
Turks and rendered Sogdiana a protectorate between 650 and 675 (circa),
but this was just a nominal act and the region was practically independent.
A new menace for Central Asia was represented by the
Arabs who were ruled at the time by the Omayad Dynasty (661-750 A.D.). Since
715, the Arabs had been trying to conquer Sogdiana without the intervention
of the Chinese army. Only the Tibetans (circa 630-846 A.D.) and the Eastern
Turks of Mongolia (683-734 A.D.) helped the Sogdians. But in the end the
Arabs won, thanks to the skill of the Governor of Khorassan, Qutayba ibn-Muslim.
Click image
Between 720 and 722 the Sogdians lead by Devastich (who proclaimed himself
king of Sogdiana) made a rebellion against the Omayads, but they were defeated
after a siege at the castle of Mount Mugh and Devastich was crucified.
Until this period, Sogdian culture survived without major problems of
intolerance by the Muslims. For example, most of the paintings recovered
in the city of Penjikent (Western Tajikistan) are dated to this period.
In 750 power passed from the Omayads to the Abbasids (750-1258 A.D.). The
latter wanted to render stronger their power in Central Asia, even defeating
the Chinese at Talas (nowadays Kirghizistan) in 751.
The Abbasids also Islamicized every social class in
proper Sogdiana thus ending the religions professed in the region -- mainly
a form of local Zoroastrianism and Manicheism (other religions were Nestorian
Christianity and, less diffused, Judaism and Buddhism). The survival of
Sogdian culture was guaranteed until 9th century in the colonies of Central
Asia and China and in Ustrushana, a region not Islamicized. Click
image
The Sogdians in China
The settlement of Sogdian people in China, mainly for trade, has been
recorded since the Han period (206 B.C.-220 A.D.). Subsequently, the number
of Sogdians in the Heavenly Empire increased remarkably. They took Chinese
surnames (in the dynastic records they are also known as "the nine
families") and they started to fill important positions in the army.
They also held public offices to control the immigrants and the Zoroastrian,
Manichean and Nestorian temples in China. Such duties interested also Persian
immigrants (especially nobles), who, after the destruction of the Sasanid
Empire (224-651 A.D.) by the Arabs, were exiled at the Tang court.
According to a Chinese source on the Sui period (581-618
A.D.), the control of some weaving centres of Sichuan, specializing in the
production of silks embellished with "western motifs", was given
by Imperial decree in 605 to a Sogdian called He Chou. He was also an expert
in the production of tiles for the surface architectural decoration. Click image
The Central Asian weaving techniques, in fact, were superior to the Chinese
and in great demand because of the lust for exoticism at the Tang court.
The Sogdian taste influenced every Chinese artistic field in this period.
Painters from Central Asia are especially celebrated in the sources but
foreign elements are traceable also in sculpture and metalwork.
The positions of the Sogdians at court was aggravated by the rebellion
of An Lushan (755-56 A.D.), a general of Sogdian origin (his name is refers
to the word "rokhsh=light -- the same as Alexander's wife, Roxane)
who almost broke up the Tang Empire. But the Chinese, already threatened
by the Tibetans, asked the Uighur Turks (744-840) for help.
The Sogdians were able to maintain their privileges in China because
of the protection granted by the Uighurs, and increase their power at the
latter's court. The Sogdians and the Persians, then, enjoyed the funds of
the Tang court, at least until the arrival of Minister Li Mi (722-789) who
refused them such privileges in 787. This was one of the measures adopted
by the Chinese minister in order to oppose the power of Iranians at the
court, and remove their control over the production of goods competing with
the Chinese.
In 840 the Kirghiz destroyed the Uighur Empire and obliged the population
to migrate to China. One group settled in today's Xinjiang region where
most of the people are still Uighur, but another group was directed to the
Central Plains of China, and then blocked by the Tang army who took advantage
of the situation to slaughter a great number of Uighurs and Sogdians.
Another strike against the Iranian community in China was the religious
persecutions of 843-45 against Buddhism, in particular, and foreign faiths
in general, including Zoroastrianism, Manicheism and Nestorianism.
The activity of Sogdians in China inevitably decreased. They resisted
along the southern maritime trade routes for some time but they eventually
disappeared completely with the arrival of the Mongols in the 13th century.
But they left an indelible sign in the art and culture of the Chinese, of
the Uighurs and (indirectly) of the Mongols. The Chinese, in fact, adopted
the division of the week in seven days, it seems, just because of the Sogdians.
Many fruits and vegetables were introduced from the west, thanks to the
Sogdians who are described in Chinese sources as being fond of music and
wine.
The importance of Sogdian music and dance particularly in Central Asia,
and later at the Tang court, should not be underestimated. The Uighurs,
who nowadays have an adaptation of the Arabic alphabet, in the beginning
adopted the Sogdian script (derived by the Syriac alphabet but written in
vertical lines). The Uighurs handed down such an alphabet to the Mongols
and it is still used in the Inner Mongolia Autonomous Chinese Province.
Later, even the Manchu founders of the Qing Dynasty (1644-1911) adopted
the same alphabet with some modifications.
Traces of the activity of the Sogdians can be observed among the recent
archaeological discoveries in Korea and Japan, especially regarding sumptuary
arts. In the imperial repository of the Shoso-in at Nara (Japan) large amounts
of precious objects (silks, metalwork, glass and musical instruments) were
discovered which at first were considered the result of the encounter between
Persian and Chinese art. But most probably they were produced in Chinese
workshops managed by Sogdians, or where the influence of Sogdian art was
massive.
Author
Matteo Compareti has a degree in Oriental Languages and Literatures
(Chinese) from Venice University "Ca' Foscari" (1999). He is currently
studying for a Ph.D. at Naples University "Istituto Orientale di Napoli"
with a program based on Medieval Sogdian history of art. Main interests:
history and history of art of Central Asia, specifically Sogdiana and Sogdian
colonies in Asia.
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