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Fiction

Return of Shahrzad
Part 14

By Eric J. Jerpe
May 12, 2004
iranian.com

The listeners gave Anaheita a few moments to calm down before Romeen bade her to continue. The belly dancer resumed the telling of her story.

"One day, I was asleep, dreaming of my home in Istanbul, of being reunited with my friends, happy to be free, when I awoke to find myself once again in my dingy cubbyhole. I rubbed my eyes and, feeling the need to move around a bit, entered into the common area. There I saw my familiar cellmates gathered around a new inmate. She was stunningly beautiful, and I say that as a bellydancer who was once belonged to a bevy of beauty. Her name was Shahrzad, and she spoke in the most melodious of voices, telling everyone not to worry, that our suffering was all part of a Cosmic Scheme.

"I joined the others, listening to Shahrzad as she began telling a story: 'There was once a poor fisherman who cast his net into the sea but four times a day....' She went on to tell of the bottle the fisherman retrieved and of the genie who had spent two thousand years imprisoned within it. We could all relate to that theme, and remained a captive audience as she recounted the tale in such glowing detail that it mattered not if one had heard it before. We were all so happy when the fisherman gave the genie a second chance.

"Day followed day, and one story flowed into another. For some brief moments, we could escape from our wretched state through the magic weaving of her storytelling. One of the most interesting stories she told, forty sessions long, was a futuristic fantasy none of us had ever heard before: The Man Who Claimed to be God. I, as well as the others, was amazed over the way she told the entire story, word for word, in the most articulate manner without ever resorting to written notes. Her memory was quite phenomenal.

"She not only related stories, she also allowed each of us to tell the group her own individual story. I am not sure how much fabrication entered into any one of these personal stories, but the Mystic Woman had an uncanny ability to detect falsehoods, drawing out the truth in a gentle way, exposing inaccuracies without humiliating the speaker. When the time came for me to tell my story, the Story of the Bellydancer, I told the truth, the whole truth, and nothing but the truth.

"We all were curious to hear Shahrzad's own personal story, and as the months passed she revealed to us bits and pieces of her background. We learned that she came from Chek-Chek, the Mountain of the Sacred Spring, and had been arrested for Apostasy and Disturbing of Public Opinion. She affirmed her adherence to the teachings of the Prophet of Iran, and taught us fundamental precepts of Zoroastrianism. I cannot speak for the others, but I myself derived inspiration from what I learned of the Ancient Faith.

"We all grew to love her. And we all became concerned for her welfare. We presumed that the male guards were all eager to prey on her, and warned her on numerous occasions about this feature of life in a women's prison staffed by men. Yet, her personal magnetism was so intense that she managed to impress even the guards, bringing out whatever goodness they had, causing them to respect her and feel ashamed of themselves for having lustful inclinations towards this Daughter of Angels.

"One person, however, even the Mystic Woman could not redeem. The warden became aware of Shahrzad's capacity for charming people, and started to think of the woman from the Sacred Spring as a challenge to her authority. The warden had Shahrzad brought to her office, and there tried to probe her weaknesses. In no uncertain terms, the witchy woman let the angelic woman know that the duration of her sentence depended upon the whims of the warden. I learned from prison guards that, on the first drilling, Shahrzad showed no sign whatsoever of being intimidated. She remained calm in the face of threats, behaving as though she was under the protection of some higher authority and unperturbed by the warden's threats to manipulate her sentence.

"This was an affront to the warden's pride, which she kept strong by engendering in others the fear of her wrath. She became determined to break the spirit of her prisoner. With increasing frequency, Shahrzad was brought under guard to the warden's office. The warden kept increasing the various pressures, yet Shahrzad always remained calm and mild-mannered, sometimes even smiling at her tormentor. I've been told that, on one occasion, the warden thundered at the Mystic Woman, 'If you ever smile in my presence again, I will cut out your lips from your mouth.'

"The one-year anniversary of the beginning of my incarceration was approaching, with the outcome of my sentence review uncertain. I spent more and more time with Shahrzad, quite often alone with her, the two of us huddled together in the cold prison room. I told her how the alternation of hope and dread was tearing apart my psyche. She responded with comforting concepts from Magian cosmology.

"' There are two modes of existence: the entity of Idea and the entity of Material. The Eternal Being created the Ideal World as Perfect Possibility. It then created the Physical World, enlisting our struggling species as co-partners in Divine Creativity. In fits and starts, humanity moves to transform this Physical World into the Ideal World via the Path of Good Thoughts, Good Words, Good Deeds. The Spirit of Good propels humanity towards the state of ideal perfection, while the Spirit of Evil deviates humanity away from actualization of Perfect Possibility.'"

Anaheita paused for a few moments, then noted, "It's hard for me to imagine that it was only yesterday when I last saw Shahrzad." She shed a few tears before resuming her story.
"The time had come for me to appear before the warden to learn my fate, with possibilities ranging from freedom to torture and death. I resolved to be brave, and entered the warden's office ready to accept what I could not change. To my shocked surprise, the first thing the warden said to me was, 'I have reviewed your case and have decided to set you free, provided you sign legal documents admitting to your guilt.'

"My heart beating fast, I agreed to the terms. One of the male guards presented me with both a legal document and a copy of the belly dancing VCR I had appeared in. I read the document, a confession of involvement in the specified pornographic material, and with little or no hesitation, I signed. The guard presented me with a second legal document along with a VCR tape of the MTV video I had appeared in. Again, I signed an admission of guilt.

"Then, I was presented with a third legal document; unexpectedly, this third admission of guilt was accompanied with a magazine. Looking at the cover, I observed a photograph from the MTV video, revealing me and other girls of my troupe scantily clad in provocative poses. I remember thinking, Whoever did the smuggling is trying maximize profits by marketing to those without VCR's. Almost inadvertently, I opened the magazine and looked through the still pictures. I could see that the opening pages were taken from either the belly-dancing or MTV videos; but, as I viewed on I began to see indications of photo doctoring. Some of the girls in the still pictures were definitely not from the corresponding video scenes. My initial reaction was a mild distaste for the cheapening of what I had tried to do professionally, but as I turned the pages I saw pictures far more distressing. The photographs were of me totally naked, dancing with other naked girls, some of them from my troupe and some totally unknown to me.

"I knew immediately that these photographs were doctored composites, presumably made with the intention of faking incriminating evidence. I kept turning the pages, and the pictures became more and more lewd. Graphic sex was portrayed, and I was seen as one of the participants. Had I not just been told that my release was imminent, I would then and there have totally dispaired of ever being set free.

"The greatest shock hit me as I viewed a truly pornographic photograph with my face and body clearly shown side-by-side with the portrayal of a completely naked Shahrzad, the Mystic Woman herself."

Gasps from the listeners prompted Anaheita to pause for a few moments. Once the implications of a definite frame-up had registered in their minds, Anaheita continued. >>> To be continued >>> Previois parts

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